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| From the ashes of the Soviet empire, from the flames of history, rises PROXY. Post 9/11 rave vibes cloaked in Muscovite angst. A line drawn in smoking rubble along the border dividing East and West, Stüssy and Stasi. Beware of the Russian Bear! For the past 3 years his tracks have dominated dance-floors all across the globe, right now there's nothing out that can really keep up with his dark, massive sound. With huge hits "Raven" and "Dancing In The Dark" being dropped by the likes of Moby, Justice, Boys Noize, The Bloody Beetroots, Felix Da Housecat, Les Petits Pilous and Vitalic, he has the whole electro scene behind him. The Proxy from Tiga's Turbo Records will be headlining Squadron Festival 2010, which will also mark his first ever appearance in Malta. |
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| Alden Tyrell is the man of modern classics like Love Explosion, Disco Lunar Module, Rendevous at Rimini and Phaze Me. He works and lives in Rotterdam and produces music for leading electro labels, Clone and Viewlexx. Alden Tyrell has roots in Hip hop and disco and has produced music since he could understand how to switch on a synthesizer. In the mid eighties he was doing raw hip hop and electro and was recording mixes which where broadcasted on the legendary Ferry Maat soul show on the national Dutch radio. Today Alden Tyrell is working on various projects such as The Hasbeens, Clone Machine and also does all the masterliing for Clone and DUB releases. Besides that, he's also I-F's partner for the Parallax Corporation live shows and did several remixes like the amazing Jolly Music remix for Sony. |
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| It’s a hot summer’s night, in the late 1980s, somewhere around the Southern most fringes of Europe. The people of the Isle of Malta are sleeping soundly. A walkman, a couple of mixtapes, Jovanotti, Jackson, and Moroder are keeping Jon and Jay awake. They simultaneously wonder why monsters from space always and only attack Japan, whether they would ever get their own holographic computer synergy, and what it would be like to experience a giant flying disc-otheque landing over one of the lethargic towns of their homeland. Some years later in 2006, Jon is playing bass guitar, whilst Jay is playing synthesizers. The two meet, and jam to a drum break, together for the first time. The resultant sound is a fusion of dance floor funk, disco and techno – a mix which the two could only, naturally, call plonk. |
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